My main goal for this pack was pretty simple – create 5 Cinematic LUTs that I personally use in all my projects, that are actually usable and long-lasting in time.
All of them work best with LOG footage of specific cameras to bypass the primary color correction step which is key to color grade accurately to your camera’s needs.
I normally use it in conjunction with already corrected footage (conversion LUTs are available for free from your camera’s website). My Cinematic LUTs give you the power of subtle changes in color grading. This allows you to shift the mood and tone of your footage without sacrificing the true color science that your camera was designed for.